![colorfinale makes fcp black colorfinale makes fcp black](https://i.redd.it/c97elsefty351.jpg)
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Update – LUT Gallery is now fully compatible with Windows 10 under these supported system requirements:įor Mac OS here are the current supported system requirements:Īlthough you can ‘sort of’ preview LUTS in a very basic way* in Premiere already they will consider developing a Premiere Pro version if enough people request it. Two final questions and answers that might be helpful.ĭenver answered some questions in a live Facebook feed in which he said that they were ‘committed to making this happen, although they don’t have a specific timeline for it, yet.” Both plugins also come with an advanced White Balance colour picker tool too. There is also a 7 day free trial so you can check out for yourself. LUT Gallery costs $69 as a single plugin for FCPX or Resolve. There area a couple of minor GUI things that I feel could be improved (see Tip 3 below) but these really are minor things, that are more like feature requests than criticisms. But maybe they’re wisely waiting to match it to a stable release? The only real problem I ran into with LUT Gallery was that it doesn’t appear to be compatible with Resolve 14 beta 2 yet. I really like that you can increase the size of the LUT previews with the + / – controls, to both skim through small icons of lots of LUTS and hone in on the one you might want to use with a larger preview.
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Plus if you have invested cold hard cash into buying custom LUTS you’re going to get better value for money from them as you’re probably going to use them more often! Once you have that instant access to what your library of LUTS actually look like, it’s makes grading faster, easier and more enjoyable.
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You still need to know how to colour grade to even get decent results from them.įinally, a hat tip to this post on ’s blog for helping me make the gifs in this post! An Editor’s Review of LUT Gallery Hopefully it goes without saying, that a LUT does not a colorist make.
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You can get more details on those and download at the bottom of this post too. Some of the most popular LUTS downloaded from that post are also those from Denver Riddle. For example, in the red channel use LUT A to make 1 = 7 but in the blue channel use LUT B to make 1 = 15.
![colorfinale makes fcp black colorfinale makes fcp black](https://nofilmschool.com/sites/default/files/styles/article_2000/public/interface_luts.png)
This can happen to the image over all or per colour channel (RGB). If the input is 0 make the output 5 – or whatever, these numbers are arbitrary, it is just a conversion matrix – take this, make it that. If you’re new to LUTS, that post will take you through what they are and how to use them, step by step.Ī LUT is basically a table that says if the input is 1 make the output 7.
![colorfinale makes fcp black colorfinale makes fcp black](https://cdn.holidayhype.co.uk/cede9f5d-59b5-43b5-975d-e9482f435e17-636302002894417455.png)
To me this is indicative of the growing popularity, and necessity of using LUTS in post workflows. One of the most popular posts on this blog is this one on what LUTS are, how to use them and where to download hundreds of LUTS for free.
![colorfinale makes fcp black colorfinale makes fcp black](https://www.krwphoto.com/img/s/v-10/p1729160837-5.jpg)
In this post I take a detailed look at working with LUT Gallery in DaVinci Resolve (Mac and PC) and FCPX and share a few quick tips on making the most of it. This means you can immediately find the right LUT you need, based on the look it produces, rather than the file name of the LUT.Īnd because you’re getting a real-time preview of the shot you’re applying it to, you can see how the LUT actually looks through every frame, not just a poster thumbnail. LUT Gallery is a plugin for FCPX and DaVinci Resolve, created by colorist Denver Riddle of Color Grading Central, which creates a visual grid of your available LUTS, applied to the shot in question. There has to be a better way, and there is: LUT Gallery. It takes too long and you’re never sure what all the other LUTS might have looked like? Did you miss out on a cooler look? Clicking back through the list, choosing another esoteric LUT file name, checking out that look. If you’re using LUTS in your post production workflow, either as an editor or colorist, then you know the pain of scrolling through long text-based lists of LUTS, searching for the specific look that you need.Ĭlicking on one name. What is a LUT Gallery and why do you need one?